In this fiery half-hour documentary for BBC, we journey to the heart of Tennessee and America’s Covid culture wars. As the death toll soared, the doctor in charge of vaccine rollout for the state was fired and the debate over wearing masks in schools turned violent. With support from BBC staff, Danzico Studios explores how the pandemic is changing US politics, from the facts Americans choose to believe to where they want to live.

This innovative current affairs film aired on BBC World, the world’s largest TV channel, as well as BBC News Channel in the UK. A cutdown of the larger documentary was posted online, where it led the BBC’s website as the most-watched piece of programming that day. The full documentary is now available via BBC iPlayer. The film was subsequently adapted by the BBC into a radio documentary for BBC Radio 4 and BBC World Service as well as a vertical, social media-friendly documentary.

Matt wrote, presented, filmed and edited the documentary. Annie Phrommayon produced and Shrai Popat served as second camera.

More.

Every four years, presidential candidates wander the streets of Scranton, Pennsylvania, visiting residents and using the city as a backdrop as they vie for working-class votes.

But in 2020, an unlikely and otherworldly local is speaking out. The Monsters on Main Avenue is a surrealist short film by Danzico Studios and Matt Danzico, who grew up in Joe Biden’s childhood neighborhood precisely 40 years after the US president.

With a great appreciation for Biden’s appreciation and focus on Scranton, Matt spent the summer of 2020 slinking around the president’s old haunts under moonlight, along with a producer, a detached street sign, and a load of production gear. So pull up a chair and enjoy this playful dispatch, which was filmed with just a small team in the height of the pandemic.

The Monsters on Main Street was a headlining feature for Medium’s homepage on the week leading up to the 2020 election.

The culture of squatting empty and abandoned buildings in the Netherlands has existed for more than a half century. But what happens when a wave of refugees enter the country, a group in desperate need of shelter? This was NBC Left Field’s first short film. With the help of two others, I crafted it as a template for what I wanted the unit’s short documentaries moving forward.

It speaks to the quick cuts of the internet as well as the cinematic sequences beginning to squirm their way into journalistic filmmaking at that time.

This short was set up in two days, shot in three and edited in four. Left Field continued on with quick-turnaround cinematic shorts for the year that followed this story’s release.

Are millennials in China becoming too westernized?

A cultural and political shift appears to be occurring among young people—all under the watch of the Chinese Communist Party. A recent study found that more than 90 percent of Chinese university students say they’ve been influenced by Western culture. The Chinese government has been responding to these changes, reigning in Chinese media that falls too far outside the traditional narrative, and even engineering their own Marxist video programs aimed at youth.

But what does this battle for Chinese millennial minds mean for the future of the country?

I visited underground rap battles in Beijing, hung out with skateboarders in Shanghai and attended hip hop classes in Central China to find out.

Did you know that the average American family of four uses 1,500 plastic bags per year? That’s roughly one per family member per day—even including your toddler.

Well, did you also know that 15% of the “sand” on Hawaii’s beaches are actually just microplastics.

At home or in nature, we are drowning in plastic. But why? How did we get to this point? And with plastic bag and straw bans now springing up around the globe, what has led to a sudden burgeoning global backlash against the material?

I followed the journey of plastic scrap and our growing dissatisfaction with it from the US to Asia in this tale of “why we’re finally raging against plastic.”

Text below from NBC.

A reported 60,000 individuals from around the world participated in 2018’s Thailand cave rescue, which saw twelve Thai boys and their soccer coach freed by divers and Thai Navy SEALs from a complex network of water-filled crevices and tunnels. From Kenya, to Japan, to the US, hundreds of millions of us tuned into rolling coverage of the rescue, in spite of it happening at a time of turmoil around the world, with many competing news events.

But why?

I journeyed to rural Thailand to explore the psychology of why this particular event managed to capture the world’s attention so thoroughly.

The former headhunters of northeast India once wore their tattoos with pride, as each mark reflected a head taken from a warring tribe.

But artists and tattoo researchers in the state of Nagaland say the ancient tradition is vanishing as young people move further away from the brutal practice.

I followed Mo Naga, a popular Nagaland tattoo artist and researcher, to the Indian village of Phelungre in far Nagaland to meet an 85-year-old former headhunter.

The Altai people—who live in the Altai Republic in southern Siberia—are one of the hundreds of ethnic groups in Russia.

They have been part of the region for 300 years and have an extraordinarily unique relationship with nature.

I went to visit an Altai woman, Baba Tasya, to talk about what it’s like carrying on tribal traditions on one of the planet’s most desolate and raw stretches of earth.

What is mightier, the Indian tuk tuk or the taxi?

I raced Delhi-based BBC producer Vikas Pandey across Delhi to a local candy shop to find out whether a car with GPS could outpace a tuk tuk operated by a driver with local knowledge of city streets. Along the way, the team picked up commuters and interviewed them about the changing state of mass transport in the developing country.